Hello and thank you for sticking around - I have some Petrona Award 2026 updates:
The details of the titles entered for the Petrona Award 2026 will be revealed shortly and that will in due course be followed by the announcement of the longlist which is currently being debated by the judges - more on them soon as well.
To be eligible for the 2026 Petrona Award the following rules apply to all submissions:The Award is for adult fiction only.The submission must be in translation and published in English in the UK during the preceding calendar year ie 1 January – 31 December 2025.The author of the submission must either be born in Scandinavia* or the submission must be set in Scandinavia*.The submission must have been published in its original language after 1999.(E-books that meet the above criteria may be considered at the judges’ discretion (does not include self-published titles))*in this instance taken to be Denmark, Finland, Iceland, Norway and Sweden.Publishers must send a copy of the submission to each of the judges and the administrator.More than one submission per author can be made.There is no fee for entering a submission for the Petrona.All submissions must be received by 6 March 2026.The publisher agrees to receive the trophy on behalf of the winning author and to arrange for subsequent delivery to the winning author. (new for 2026)
THE CLUES IN THE FJORD by Satu Rämö translated from the Finnish by Kristian London and published by Zaffre.
Satu Rämö will receive a trophy, and both the author and translator will receive a cash prize.
The Petrona team would like to thank David Hicks for his sponsorship of the Petrona Award.
The judges’ statement on THE CLUES IN THE FJORD:
THE CLUES IN THE FJORD is a sophisticated and atmospheric police procedural with a pleasingly unpredictable dark and twisty plot, set against the backdrop of the raw and untamed beauty of rural Iceland.
Providing the local detective with a Finnish side-kick allows the author to contrast Icelandic and Finnish traits, adding authenticity to an original story. The intriguing back-stories of both characters leave the reader anticipating the next instalments.
In the ever increasing Icelandic crime fiction scene, Satu Rämö has carved out a unique position between traditional mysteries and the darker end of crime fiction.
Statements from the winning author, translator and publisher:
Satu Rämö:
I am deeply honoured to receive this award, and I want to thank the jury and the organizers of the Petrona Award. I also want to acknowledge the incredible writers nominated alongside me. To be included among such talented writers is a reward in itself. Your words have inspired me a lot!
This award reminds me of a conversation I had with a reader, a ninety-five-year-old woman, who shared how the book, the first part in the Hildur crime book series, THE CLUES IN THE FJORD, made her feel. She told me that she knows she is getting very old but after reading this book, she hoped she would live long enough to read the sequel, to know what happened to the two little girls who got lost on their way from school. When the sequel came out, I sent it to her and called her after a few weeks. She was still as happy and joyful as last time, waiting for the next book in the series to come out...
It is the readers who keep stories alive. Thank you for reading. I want to thank you also, my British publisher Zaffre and my translator Kristian London. Great teamwork! Thank you jury from the bottom of my heart, this award means so much to me.
Kristian London:
When I first took on translating Satu Rämö’s THE CLUES IN THE FJORD, the book’s incredible success in Finland suggested it had a high chance of connecting with audiences abroad as well. I’m gratified to see this is the case. It has been a privilege to act as an intermediary between Rämö’s imagination and those of her English-speaking readers as they enter Hildur’s world of human quirks and foibles, familial traumas and inheritances. For me, the work’s slow power springs from its true protagonist: that isolated land in the North Atlantic that serves as the setting, and the terrain and culture and people we’re introduced to through an outsider’s keen eyes. Many thanks to the Petrona Award jury for this honor.
Kasim Mohammed (editor at Zaffre):
Being Satu's English-language publisher is a real honour. She has such an eye for crafting stories about real people, and a real heart to her writing that is hard to find these days. Bringing authors' dreams to life is a privilege and moments like this are wonderful to experience. To know Satu's work is resonating with so many readers, worldwide, brings the team here at Bonnier so much pride. Thank you to the Petrona Award jury for this honour - we will treasure this as we continue to publish Satu!
The judges
Jackie Farrant - creator of RAVEN CRIME READS and a bookseller for a major book chain in the UK.
Ewa Sherman - translator and writer, and blogger at NORDIC LIGHTHOUSE.
Sonja van der Westhuizen - book critic for print and online publications in the UK and South Africa, as well as a blogger at WEST WORDS REVIEWS.
Award administrator
Karen Meek
–
owner of the EURO CRIME blog and website.
Further information can be found on the Petrona Award website.
On social media, please use #PetronaAward25.
With many apologies but due to unforeseen circumstances the winner of the Petrona Award 2025 will now be announced on 23 October 2025, rather than 16 October 2025.
It's Black History Month here in the UK and these are some titles published in the UK in 2025 by writers of colour. I would love to extend this list so do please put any additional authors/titles in the comments.
Kia Abdullah - What Happens in the Dark
Tariq Ashkanani - The Midnight King
Nina Bhadreshwar - The Day of the Roaring
A A Chaudhuri - The School Gates
A A Dhand - The Chemist
Renita D’Silva - Two Perfect Couples
Vaseem Khan - The Girl In Cell A
Vaseem Khan - Quantum of Menace
Remi Kone - Innocent Guilt
Dorothy Koomson - Beach Hut 512 (audio/ebook only)
Dorothy Koomson - Give Him to Me
Rupa Mahadevan - Nine Dolls
Dreda Say Mitchell - Gone (with Ryan Carter)
Dreda Say Mitchell - Love and Hate
Abir Mukherjee - The Burning Grounds
Kingsley Pearson - Flat 401
Mel Pennant - A Murder for Miss Hortense
Paula Sutton - The Body in the Kitchen Garden
Welcome to the latest stop on the blog tour for A Lethal Legacy by Guðrún Guðlaugsdóttir translated by Quentin Bates. A Lethal Legacy was published by Corylus Books on 20 September 2025 as both an ebook and in paperback.
A Lethal Legacy is the first book from Icelandic author Guðrún Guðlaugsdóttir to have been translated into English and I am very pleased today to be able to share the teaser extract below.
Blurb:
Nothing has changed at Bjargarlækur for as long as anyone can remember – so are moves to bring change to this remote farm in the Icelandic countryside a motive for murder?
Three elderly siblings have lived more or less peacefully in this isolated place their whole lives, until Brynjólfur is found dead in his own bed. Called on to help out at the farm, freelance journalist Alma is far from certain that the old man died a natural death. Determined establish the facts of the matter, she finds herself caught up in a vicious family feud.
Sisters Klara and Thórdís are unable to agree on the future of the farm, just as others with an interest in the place circle hungrily around them. Echoes of missed opportunities, lost love and age-old crimes surface as a reckoning takes a bitter toll on those left behind – and Alma struggles to get to the truth.
Extract
The sinister side to this was that from whatever angle you were to look at this, Brynjólfur could hardly have taken his own life. It was far more likely that someone else had routed carbon monoxide into his room. Who could have done it, and why? And how?
She left the room. The house was quiet. At this moment she would have given anything to have had Sveinbjörg there. Instead, she would have to cope with all this on her own, maybe even accept that she could be in danger herself.
Her thoughts went to the incident on the stairs. Perhaps it wasn’t her imagination that she had been pushed to fall down the stairs? Who could have done that? It couldn’t have been Klara, who was still seated in the chair when she went back to her room. Could she have got to her feet, despite her condition, and followed her? Was she maybe not as ill as she made out?
Thórdís was a more likely perpetrator. The floors in the attic didn’t creak, only the stairs. Or could someone have been in Thórdís’s room, and made their way out unseen? But then wouldn’t she have heard the stairs creak? She recalled that the stairs hadn’t creaked as loudly when she went down after speaking to Klara. She'd assumed that this was due to the damp. Maybe someone had managed to sneak downstairs? Or was Bjargarlækur haunted after all?
Then there was the other aspect of this. Why would someone at the farm or in the district wish to do her harm? At that point she had no inkling that Brynjólfur could have been murdered. Had she blurted out something relevant? Or had she said anything that could turn out badly for someone? What had she been told? That Thórdís dyed her hair and was Rósa’s friend. That Rósa was determined to get the farm. That Thorbjörn could be brewing moonshine in the workshop. None of this could conceivably be a motive for murder.
Alma recalled Gunnhildur mentioning having heard the sound of an engine from the workshop when she woke during the night. Had Brynjólfur’s Volvo been pushed out and another vehicle driven into the workshop during the night? If so, what car? Rósa’s car, or Thorbjörn’s? Or Jón’s? Birgir’s car had been seen down by the road, so could that have been driven into the workshop? And hadn’t Brynjólfur’s car always been kept in the workshop? Gunnhildur was supposed to be the one holding the key, but Alma had found the key locked away in Brynjólfur’s room. Did someone else have a key to the Volvo, had started it up and channelled the exhaust up to Brynjólfur’s room? Was it a possibility that Brynjólfur hadn’t taken a sleeping pill, but had instead gone down to the workshop and started the car – and then gone upstairs to die? That was a very distant possibility. But then someone would have had to have hidden any traces the following morning. No, she decided. That last possibility was too far-fetched. He had taken his medication to help him sleep and Gunnhildur had watched him swallow his pill. Or what?
The footprints in the basement and the length of green hose came suddenly to mind. Did this have something to do with Thorbjörn’s moonshining, or had it been used for another purpose? Was that piece of hose anything to do with Thorbjörn?
That left the big question. Was there a murderer on the loose at Bjargarlækur?
Guðrún Guðlaugsdóttir trained in drama, and after having been on the stage she became a producer and later a reporter for Icelandic state broadcaster RÚV. She subsequently had a 25-year career as a journalist for daily newspaper Morgunblaðið, making a name for herself for the quality of her interviews with people from all walks of life.
Her literary output has been prodigious, having written biographies, books of interviews, collections of short stories and a book of verse, as well as the enduringly popular series of novels featuring the exploits of journalist Alma Jónsdóttir.
Guðrún lives in Kópavogur. She has no plans to retire, and is still writing when most people of her age are taking it easy.
Samuel Bjørk - Dead Island tr. Charlotte Barslund (Norway, Bantam)Pascal Engman - The Widows tr. Neil Smith (Sweden, Legend Press)Malin Persson Giolito - Deliver Me tr. Rachel Willson-Broyles (Sweden, Simon & Schuster)Óskar Guðmundsson - The Dancer tr. Quentin Bates (Iceland, Corylus Books)Aslak Nore - The Sea Cemetery tr. Deborah Dawkin (Norway, MacLehose Press)Satu Rämö - The Clues in the Fjord tr. Kristian London (Finland, Zaffre)Gunnar Staalesen - Pursued by Death tr. Don Bartlett (Norway, Orenda Books)
From the press release which was embargoed until 8.00am today:
Samuel Bjørk - Dead Island tr. Charlotte Barslund (Norway, Bantam)Stella Blómkvist - Murder Under the Midnight Sun tr. Quentin Bates (Iceland, Corylus Books)Pascal Engman - The Widows tr. Neil Smith (Sweden, Legend Press)Malin Persson Giolito - Deliver Me tr. Rachel Willson-Broyles (Sweden, Simon & Schuster)Óskar Guðmundsson - The Dancer tr. Quentin Bates (Iceland, Corylus Books)Jørn Lier Horst and Thomas Enger - Victim tr. Megan E Turney (Norway, Orenda Books)Jo Nesbo - Blood Ties tr. Robert Ferguson (Norway, Harvill Secker)Aslak Nore - The Sea Cemetery tr. Deborah Dawkin (Norway, MacLehose Press)Sólveig Pálsdóttir - Shrouded tr. Quentin Bates (Iceland, Corylus Books)Satu Rämö - The Clues in the Fjord tr. Kristian London (Finland, Zaffre)Max Seeck - Ghost Island tr. Kristian London (Finland, Mountain Leopard Press)Gunnar Staalesen - Pursued by Death tr. Don Bartlett (Norway, Orenda Books)
