Tuesday, November 24, 2020

The Petrona Award 2020 - Shortlist

From the press release which was embargoed until 8.00am today:

Outstanding crime fiction from Finland, Iceland, Norway and Sweden shortlisted for the 2020 Petrona Award


Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year. The shortlist is announced today, Tuesday 24 November.


THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)


The winning title, usually announced at the international crime fiction convention CrimeFest, will now be announced on Thursday 3 December 2020. The winning author and the translator of the winning title will both receive a cash prize, and the winning author will receive a full pass to and a guaranteed panel at CrimeFest 2022.

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award. 


The judges’ comments on the shortlist:

There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints. There were 13 female and 24 male authors. 

This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller.

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective.

We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

 

The judges’ comments on each of the shortlisted titles:


THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist.


INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface.



THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension.



THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place.



THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja.



LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)

Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.


 The judges

Jackie Farrant – Crime fiction expert and creator of RAVEN CRIME READS; bookseller for eighteen years and a Regional Commercial Manager for a major book chain in the UK.

Dr. Kat Hall – Translator and editor; Honorary Research Associate at Swansea University; international crime fiction reviewer at MRS. PEABODY INVESTIGATES.

Jake Kerridge Journalist and literary critic. He has been the crime fiction reviewer of the Daily Telegraph since 2005 and has judged many crime and thriller prizes.

 

Award administrator


Karen Meek
owner of the EURO CRIME website, reviewer, former CWA judge for the International Dagger, and Library Assistant.


Further information can be found on the Petrona Award website: http://www.petronaaward.co.uk.

Images of the Petrona Award logo and the shortlisted titles are available (from 8.00am) at:

https://www.flickr.com/gp/swanseauniversity/37x67d

(copy & paste link into browser)


Monday, November 23, 2020

CWA Daggers 2020 - Winners

Apologies for the delay in posting this and many congratulations to all the winners and translators.

CWA Dagger Awards 2020 Winners Announced

Michael Robotham, Lou Berney, Casey Cep, and Abir Mukherjee win 2020 CWA Dagger awards.

The winners of the 2020 CWA Daggers, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The winners were announced during a live virtual ceremony (on evening of 22 October), hosted by one of the UK’s leading experts on crime fiction, the writer and reviewer Barry Forshaw.  The evening also featured guest speaker, Richard Osman.

The 2020 CWA Gold Dagger for the best crime novel went to Michael Robotham for Good Girl, Bad Girl, featuring forensic psychologist, Cyrus Haven. Born in Australia, Michael worked as a journalist in Australia, America and the UK as senior feature writer for the Mail on Sunday before becoming a ghost writer collaborating with politicians and show business personalities to write their autobiographies. Since his first psychological thriller, The Suspect caused a bidding war at the London Book Fair in 2002, his novels have won numerous awards and have been translated into 25 languages. He was previously awarded the Gold Dagger for Life or Death in 2015.

Lou Berney has won the Ian Fleming Steel Dagger for best thriller for November Road, a poignant crime novel set against the assassination of JF Kennedy. The novel attracted widespread acclaim from reviewers and fellow authors alike, with Stephen King declaring it ‘exceptional’. The American author has previously won the Edgar, Anthony, Macavity, Barry, and Oklahoma Book awards. Berney was also Highly Commended in the CWA Gold Dagger category.

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. This year the accolade goes to Trevor Wood for The Man on the Street, featuring a homeless veteran grappling with PTSD, dubbed by Lee Child as ‘an instant classic’. Wood, a journalist and playwright, has an MA in Creative Writing from the University of East Anglia. He served in the Royal Navy for 16 years.

Abir Mukherjee wins the Sapere Books Historical Dagger for his fourth novel featuring Sam Wyndham, Death in the East. The accountant turned crime writer was inspired to become an author after watching Lee Child on breakfast TV say he started writing age 40. Abir’s debut, A Rising Man, won the Dagger for best historical crime novel in 2017. Death in the East explores the legacy of colonialism in India.

The Crime Fiction in Translation Dagger goes to Hannelore Cayre for The Godmother, translated by Stephanie Smee. Hannelore Cayre is an award-winning French novelist, screenwriter and director, as well as a practising criminal lawyer. The Godmother has been made into a feature film starring Isabelle Huppert. Stephanie Smee, who lives in Sydney, worked as a lawyer in Sydney and London before becoming a translator, specialising in French to English.

The ALCS Gold Dagger for Non-Fiction is awarded to Casey Cep, a staff writer at the New York Times whose first book Furious Hours: Murder, Fraud and the Last Trial of Harper Lee, has received acclaim on both sides of the Atlantic. An instant New York Times bestseller, Furious Hours was a Barack Obama Book of the Year.

The CWA Daggers are one of the few high-profile awards that honour the short story. Lauren Henderson receives the Short Story Dagger for #Me Too which features in the anthology Invisible Blood, edited by Maxim Jakubowski.

Linda Stratmann, Chair of the Crime Writers’ Association, said: “The winners, and all those who were in contention for a Dagger are, as always, to be commended. One thing the pandemic and lockdown has taught us is the value and importance of books and storytelling – for escapism and comfort and for our well-being. Books have always been the conduit to other worlds and into other lives. They let us know we are not alone, so our 2020 virtual awards feel even more significant as many vulnerable people are in enforced isolation and we are all socially distancing. We’re proud to celebrate the crime genre.”

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year it goes to Scottish novelist Christopher Brookmyre, whose books mix comedy, politics and social comment. The journalist turned award-winning novelist is widely considered as one of Britain’s leading crime authors, selling more than two million copies of his novels in the UK alone.

One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open to unknown and uncontracted writers. The competition for unpublished writers can lead to them securing representation and a publishing contract. This year the winner is Josephine Moulds for Revolution Never Lies. Anna Caig was Highly Commended for The Spae-Wife.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Orenda Books. The London-based publisher was established in 2014 by Karen Sullivan.

Writer Barry Forshaw, MC for the Dagger Awards evening, said: “The CWA Dagger Awards are the most prestigious prizes in crime fiction, and this year has furnished a particularly strong set of books and authors. Nothing dampens the excitement of the Daggers – not even pandemics!”

One of the UK’s most prominent societies for the promotion and promulgation of crime writing, the CWA was founded in 1953 by John Creasy; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. They are regarded by the publishing world as the foremost British awards for crime-writing.

The Winners:

GOLD DAGGER

Michael Robotham: Good Girl, Bad Girl (Sphere)

Lou Berney: November Road (Harper Fiction) – Highly Commended

IAN FLEMING STEEL DAGGER

Lou Berney: November Road (Harper Fiction)

JOHN CREASEY (NEW BLOOD) DAGGER

Trevor Wood: The Man on the Street (Quercus Fiction)

SAPERE BOOKS HISTORICAL DAGGER

Abir Mukherjee: Death in the East (Harvill Secker)

CRIME FICTION IN TRANSLATION DAGGER

Hannelore Cayre: The Godmother, translated by Stephanie Smee (Old Street Publishing)

SHORT STORY DAGGER

Lauren Henderson: #Me Too in Invisible Blood, edited by Maxim Jakubowski (Titan Books)

ALCS GOLD DAGGER FOR NON-FICTION

Casey Cep: Furious Hours (William Heinemann)

DAGGER IN THE LIBRARY

Christopher Brookmyre

DEBUT DAGGER

Josephine Moulds: Revolution Never Lies

Anna Caig: The Spae-Wife - Highly Commended

PUBLISHERS’ DAGGER

Orenda Books

DIAMOND DAGGER

Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel.

This Dagger is announced in early spring each year and in 2020 goes to celebrated Golden Age specialist, anthology editor, reviewer and fiction writer Martin Edwards.