Review: Zen and the Art of Murder by Oliver Bottini tr. Jamie Bulloch

Zen and the Art of Murder by Oliver Bottini translated by Jamie Bulloch, August 2018, 384 pages, MacLehose Press, ISBN: 0857057367

Reviewed by Lynn Harvey.
(Read more of Lynn's reviews for Euro Crime here.)

She leaped up. “I don’t booze, for Christ’s sake!” The sentence resonated in her head, just as the footsteps crunching in the snow had echoed the night before. I don’t booze.

Saturday morning, Liebau, Germany.
It’s snowing. Hollerer glances out of his kitchen window just as a shaven-headed monk, dressed only in dark robe and sandals, appears out of the driving snow and makes his way along the street. A vision sent by my wife, Hollerer thinks. Some time later he recalls that the monk had been bruised about the head – perhaps not a vision. He buttons his police uniform over his paunch, fetches his service weapon from the bedside table and sets out to find the monk. At the steps of the village church a crowd including the mayor are gathering around the young man sitting cross-legged and silent, his bowl in front of him. The villagers are unhappy and want him gone. No begging is allowed after all and he could be just a forerunner for other cult members to come. Hollerer buys food for the monk who, by gesture, insists on sharing it with him. For now, annoyed by the mayor’s insistence that he do something, Officer Hollerer retreats.

Saturday morning, Freiburg.
42-year-old Kripo detective Louise Boni wakes up to snow. She hates it. Everything bad that has happened to her has happened in the snow. Her boss rings to call her into work but she refuses. His next phone message threatens disciplinary action and Louise takes her time calling back. Something strange is happening in Liebau, no-one else is available so Louise must go and take a look. Too hungover to drive, she takes a taxi and by the time she arrives in Liebau the monk has left – with Officer Hollerer following him in a patrol car. A young patrolman, eager to display his own “rally-driver” skills, gives Louise a lift to where Hollerer is parked in a white wasteland watching a black dot moving slowly up a hill. Louise and Hollerer follow the monk on foot but soon the overweight policeman reaches his limit. Louise borrows his gun, continues alone and eventually catches up with the monk. They walk in silence and later, helped out by supplies of food and warm clothing ferried by Hollerer and the young patrolman, Louise and the monk enter the forest where they shelter for the night. She establishes that he is Japanese and can understand English but he remains largely silent. Louise, caught up in alcohol-fuelled thoughts and haunted by images of her dead brother, divorced husband and the man she killed, eventually sleeps – waking to the grey light of dawn and the sound of a man’s voice. The monk is wide-eyed with fear, gesturing for her to follow him. They hide until full daylight when the monk resumes his journey.

Louise hands over the task of following him to the day shift, Hollerer and a colleague from Freiburg. The young Liebau policeman drives her back to the Freiburg headquarters. The ensuing argument with her boss is fierce. Louise wants back-up, cars and a helicopter. He wants her on enforced sick leave, “rehab” and a planned return to a desk job. In fact he insists that calls for back-up and helicopters based on “the hallucinations of a piss-head and the wanderings of a half-naked foreigner” are out of the question. Louise returns to her desk and asks her new Liebau colleague to start compiling a list of the nearest Buddhist institutions. Her boss interrupts and orders her home: “You’re on sick leave”…

ZEN AND THE ART OF MURDER is the first novel in Bottini’s "Black Forest Investigation" series and won a Deutsche Krimi Preis when it was published in 2005. Full of psychology and a wry wit, this story deals in the dark matter of child trafficking and murder. Louise is shut out from the official investigation, but stubbornly continues to prise open the riddle surrounding the terrified monk and his pursuers. But not before another death in the snow has shattered her fragile state. In Louise Boni, Oliver Bottini has created a convincing anchor – a woman flailing around amidst the clink of empty bottles; keeping a desperate grip on her self and her career through gut instinct and persistence. In fact Louise’s interior life provides almost as much suspense as that of the hunt for the killers. Bottini’s well-written characters bring humanity to the events and the story reads smoothly in Jamie Bulloch’s translation. This edition includes a short story prequel which fills out the details of the previous case that still haunts Louise.

Greatly recommended, particularly for lovers of the uphill struggles of the lone detective. A classic Nordic Noir set in the snows of a German winter.

Lynn Harvey, August 2018

Review: Blue Night by Simone Buchholz tr. Rachel Ward

Blue Night by Simone Buchholz translated by Rachel Ward, February 2018, 276 pages, Orenda, ISBN: 1912374013

Reviewed by Lynn Harvey.
(Read more of Lynn's reviews for Euro Crime here.)

“Driving through the countryside alone is like eating sellotape.”

Public prosecutor Chastity Riley’s car coughs and dies somewhere near Mecklenburgh. Since she accused her boss of corruption and shot off a gangster’s family jewels with an unauthorised firearm, Chastity has been sidelined into witness protection – and protection is all she is allowed to do, no investigating. So this country-weekend thing has been an attempt to break the monotony. It hasn’t worked. Now she has to get back to Hamburg for a case and she really needs a lift. Faller, with his big, 1970s, mid-life crisis totem Pontiac, is the one she chooses (all of her other friends being asleep, driving-license free, or out of it). She calls Faller, takes her bag out of her car and sets off down the road in the direction of Hamburg. Later, in that city’s St Georg Hospital, she stares at her unconscious client. He is smashed up badly. Ribs, arms and legs broken and a missing index finger. She holds his huge paw of a hand until night-time then takes a taxi home. Klatsche is making cheese sandwiches to go with the beer. Lifesaver.

Summer of 1982:
Faller: “I still visit Minou’s grave. A girl from the red-light district who died because I wanted her.”
Riley: “Frankfurt glows gold, orange, pink. We ride bikes. I wear my Dad’s American Army shirts. I miss my Mum.”
Klatsche: “I haven’t been born yet.”
Joe: “Hey. Hamburg.”

Hamburg, present day:
Klatsche is out shopping, stocking up his bar “Blue Night”. Chastity returns to her flat to shower then on to forensics at Police Headquarters to examine her client’s clothes: a good made to measure suit, no label; British shirt, American shoes. Upstairs she visits her friend Calabretta who has been locked into himself since his girlfriend dumped him for a Swiss professor. But now, Chastity is thinking that the life is returning to his eyes. Next, to size up the place where her client was attacked. It must have been a gang, no way could it have been a one man job. That evening, whilst baby-sitting Calabretta at Carla and Rocco's cafe, an activity which involves a lot of booze, Calabretta remarks that he thinks Faller is up to something – maybe wanting to go after The Albanian again.

1987:
Faller: “Homicide Squad. I’m new here. A lot of death since coke hit the red-light district.”
Riley: “Why is everyone falling in love?”
Joe: “I mostly work in St Pauli, quick and quiet.”

Hamburg, present day:
The hospital calls Chastity at 5.30 am, the patient is awake. Chastity however is very hungover. The police guard outside her client’s room nods her through when she presents her pass. Her client stares at her. Chastity thinks he was more charming unconscious. When he does speak, his accent is Austrian. He says his name is Joe...

BLUE NIGHT is the first of prize-winning crime writer Simone Buchholz’ “Chastity Riley” series to be published in the UK. Its lively, true-feeling translation by Rachel Ward allows this tale of bars, beers and the nightlife of St Pauli in Hamburg to read well at a brisk pace. Chastity is the daughter of an American serviceman stationed in Germany, brought up by him after her mother left them. By the time of this book she is only just hanging on to her job as a public prosecutor after having exposed some inconvenient truths in the department. She is bored, persona non grata and barred from investigating. But she is also surrounded by a network of friends with equally chequered backgrounds to buoy her up – hence the bars, cafes and beers. It goes without saying that when landed with the job of “protecting” a badly beaten giant of an Austrian who is giving nothing away, Chastity cannot resist some of that forbidden investigating. Who attacked him and why? The investigation takes her to a new contact in the old East, in Leipzig, and a glimpse of the devastation caused by the latest cheap, virulent drug heading in Hamburg's direction.

Buchholz quickly establishes her characters and their individual voices: the ex-jailbird bar owner, a broken hearted cop, an ex-cop with a vengeful eye set on the local crime boss (now “retired” and untouchable) who killed his girlfriend years ago, and an injured Austrian stoic with a missing finger. But it goes without saying that the predominant voice in the story is that of unorthodox, street-savvy and very likeable Chastity. Written with a sense of place, a fresh voice, and a fast pace.

Absolutely recommended.

Lynn Harvey, August 2018

TV News: Babylon Berlin on Sky (in 2017)

I received this press release earlier today announcing that a tv series is to be made of Volker Kutscher's Gereon Rath books. The first of which, Babylon Berlin, will be published in English by Sandstone Press in May. The tv series will be on Sky in 2017.

Sandstone author Volker Kutscher nets record-budget TV series: Babylon Berlin

ARD and Sky announce two seasons directed by Run, Lola Run Director Tom Tykwer

Sandstone Press author Volker Kutscher will see his bestselling crime novels adapted for television in a 40-million-Euro series produced jointly by German public broadcaster ARD and Sky.

Sandstone will publish the first book in the series, Babylon Berlin, in May, translated into English by Niall Sellar. Kutscher, whose novels have sold over 1 million copies in Germany, joins the Scottish independent’s growing list of crime authors including David McCallum, Jorn Lier Horst, Lesley Kelly and William McIntyre.

Babylon Berlin is set in 20s Berlin, centring on the figure of Inspector Gereon Rath from Cologne. When he arrives in the Berlin of 1920s, the city is the epicentre of political and social change. The series stars ‘two of the most interesting talents on the German acting scene’ (der Spiegel): Volker Bruch who will play Gereon Rath (and who is shortly to appear in HHhH alongside Rosamund Pike and Jack O’Donnell) and Liv Lisa Fries, who will play Rath’s girlfriend Charlotte.

The series will air internationally on Sky in 2017, and on German TV in 2018. German news magazine Der Spiegel commented: ‘Babylon Berlin could be a TV event to rival the golden age of the early 80s when Wolfgang Petersen’s Das Boot and Rainer Werner Fassbinder’s Berlin Alexanderplatz created series that were broadcast all over the world.’

Volker Kutscher says, ‘I am more than happy to know that Gereon Rath and his world are in the hands of X Filme and Tom Tykwer. I appreciate Tykwer's work very much and I know that we both think in the same direction concerning the cinematic adaptation of the material. (…) I look forward to see the world of Gereon Rath being adapted in the tradition of series like The Wire, Mad Men, Breaking Bad, Six Feet Under and Boardwalk Empire.’

Sandstone Press Managing Director Robert Davidson says, ‘This is thrilling news. The Gereon Rath mysteries by Volker Kutscher have already captured a huge German language readership and we are very proud to bring the first of them, Babylon Berlin, to the entire English speaking world. Scrupulous with historical detail and atmosphere, with two utterly engaging central characters in Gereon Rath and Charlotte (Charly) Ritter, tightly plotted and exciting, I knew I wanted to publish this series as soon as I learned it existed. It has all the material not only for great reading but also for great television and I do believe its impact is going to be huge.’

New German Crime Fiction

The Hour of the Jackal by Bernhard Jaumann, translated by John Brownjohn was published by John Beaufoy Publishing Ltd on 1 August. (I'll be adding it to the International Dagger eligibles list.)

The official synopsis gives little away:

Namibia in January. In the heat of a summer's evening in the affluent Ludwigsdorf suburb of Windhoek, a gardener is cold-bloodedly murdered while children splash and play in the swimming pool.

However there is more detail at New Books in German.

The publicist who has brought it to my attention says that: "Based on the politics surround the notorious assassination of Anton Lubowski, this new title is the winner of the 2011 German Prize for Best Crime Fiction".

Publishing Deal - Schatzing

News from Frankfurt of a new book from Frank Schatzing, (which I like the sound of), via Publishers Weekly:

Quercus has acquired WEL rights in the latest novel by Frank Schaetzing, author of The Swarm, a book-of-the-fair a few years back. The new novel is LIMIT, published by Kiepenheuer & Witsch in Germany and now sold in 17 countries.

The story is set in 2025. The race for alternative energy – helium 3 – to be found on the moon is on between the Russians and the Chinese. Julian Orley, the eccentric owner of Orley Enterprises, invites prominent and very rich guests to a breathtaking trip to the moon to stay in the moon hotel. On earth, detective Owen Jericho is searching for the dissident Yoyo, who holds many keys to the intrigues and ruthless games for power between politicians and the multi-national oil companies.

The Swarm, published in the UK by Hodder, has now notched up sales of 5m in 30 countries, and a film is due next year. Quercus also published Schaetzing's historical crime novel Death and the Devil, which has sold in excess of one million copies in Europe alone.

Three Bags Full - Leonie Swann

Once upon a time there was so little translated crime available, I did feel there was a hope of keeping on top of it, reading-wise, but now there's more issued in a year than I can manage. This one's been out for a while and I haven't even got a copy let alone read it, though I see my library has it on talking book now, so that's also an option.

I'm referring to the sheep detective story by Leonie Swann called THREE BAGS FULL. Random House (US) have highlighted it in their newsletter.

A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd.

On a hillside near the cozy Irish village of Glennkill, the members of the flock gather around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared for the sheep, reading them a plethora of books every night. The daily exposure to literature has made them far savvier about the workings of the human mind than your average sheep. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer.

You can read an excerpt here.