Showing posts with label Mike Nicol. Show all posts
Showing posts with label Mike Nicol. Show all posts

Monday, August 31, 2015

Review Roundup: Collard, Lagercrantz, Larsson, London, Nicol, Palliser, Reading

Here are nine reviews which have been added to the Euro Crime website today, all have appeared on the blog since last time*. With the exception of Stieg Larsson, all these authors are making their first appearance in the review section. The Stieg Larsson reviews are reposts of Maxine's original reviews but I have included the recent paperback cover.

*I am trialling a new approach at the moment in that all reviews will appear on the Euro Crime blog rather than being separate files as part of the Euro Crime website. I feel this will give the reviews more exposure and make them more findable in a search engine. The reviews will usually appear daily ie Monday to Friday, with occasional weekend postings, and roundups will appear on Sundays (or Bank Holidays!). The website will continue with bibliographies etc, the only change is that the reviews will be on the blog.

I'd be interested in any comments about this new approach.

You can keep up to date with Euro Crime by following the blog and/or liking the Euro Crime Facebook page and follow on Twitter, @eurocrime.

New Reviews


Terry Halligan reviews The Devil's Assassin by Paul Fraser Collard which features swashbuckling hero, Jack Lark;

The big release last week was David Lagercrantz's The Girl in the Spider's Web tr. George Goulding which is a sequel to Stieg Larsson's Millennium trilogy. Review copies were released on the day of publication (UK) and Craig Sisterson kindly shared his review with Euro Crime the same day;


To remind ourselves of Stieg Larsson's original trilogy, I reposted Maxine's reviews of:

The Girl With the Dragon Tattoo;




The Girl Who Played With Fire



and The Girl Who Kicked the Hornets' Nest

which were all translated by Reg Keeland.

I continue my US cozy review feature with Criminal Confections by Colette London, which introduces a chocolate whisperer as amateur sleuth;



Going from cozy to noir, Lynn Harvey reviews Mike Nicol's Power Play, a Cape Town thriller inspired by Titus Andronicus;

Susan White reviews Charles Palliser's Victorian-styled The Unburied

and Ewa Sherman reviews Mario Reading's The Templar Inheritance.


Forthcoming titles can be found by author or date or by category, along with releases by year.

Thursday, August 20, 2015

Review: Power Play by Mike Nicol

Power Play by Mike Nicol, June 2015, 400 pages, Old Street Publishing, ISBN: 1910400211

Reviewed by Lynn Harvey.
(Read more of Lynn's reviews for Euro Crime here.)

South Africa, Cape Town.

Prologue.
The big man sits beside the pool and watches Krista Bishop making coffee in her kitchen. She watches him. Takes a gun out of her bag and fits the silencer. His dark eyes remain on her and eventually he stands, his own gun in full sight. Krista thinks of her father Mace's words – about taking justice when it comes.
Lagoon Beach.
The Anders family are eating supper at a seafood restaurant by way of mourning the youngest son, Boetie. They must be seen in public at this time. Unbowed. Because Anders is an old-time retired gang lord and respectable businessman, one of “The Untouchables”. Boetie's weighted body had been found in deep water, chained to a plastic buoy marked “property of Titus Anders”. Quint, the youngest surviving son, assures his father that everything is sorted; the tit-for-tat boy is already chained up in the warehouse ready to be sent home to his mother in pieces. But the Anders children – Lavinia, Quint and Luc – still bicker about the next move. Titus tells them to shut up. Down the street, two men wait in a car. When the signal comes that the Anders family is leaving the restaurant, they start up and move alongside the Anders's heavy old Merc. Their window slides down and the Russian aims the Uzi.
Cape Town International Airport.
Krista Bishop and her security partner, Tami Mogale, greet the Chinese businessmen who seem delighted with their female security team. Tami and Krista have trouble defining the boundaries of their duties with their new clients. In the coffee shop across the way, a government agent watches the small party. He is Mart Velaze, the spook who put pressure on Krista to drop their strict women-only client base and guard these two businessmen. He had had to emphasise how easy it was for Krista's lovely house and car to disappear via a tax audit. So she accepted the job. As Velaze tails the group to their hotel, he receives a call from “The Voice” telling him to leave the businessmen and get over to Lagoon Beach – a shooting involving the Anders family.
Lagoon Beach.
In the adrenalin rush of the hit, Tamora's driver takes off early. The Russian is furious. A sharp turn results in him losing the gun to the road. The driver ignores his fury and drives on. Outside the restaurant, in the midst of shattered glass and bullet-holed steel, the Anders family take stock. Everyone OK, just cuts. And they recognised the driver. Tamora's man, Black Aron. The shooter? White. Czech, Russian, something like that. Titus tells his sons to finish the job with Tamora's son but Lavinia warns that nothing will be settled while the mother is still around.
Back at their hotel, the Chinese announce that they want to eat the famous abalone. But Tami reports that the seafood restaurant that they have in mind is out of bounds tonight. Some kind of shooting....

Mike Nicol is a South African writer who sets his crime thrillers in his native Cape Town. His latest thriller, POWER PLAY, continues the Bishop connection from Nicol's earlier “Revenge Trilogy” which concluded with BLACK HEART and featured the Cape Town security firm of Mace Bishop and Pylon Buso. The security firm is now in the hands of Mace's daughter Krista. With her business partner Tami Mogale she concentrates on a women-only client list. Rival gangs The Pretty Boyz and The Mongols are at war over the abalone poaching trade. For this, read three “retired” gang lords known as The Untouchables versus Tamara Gool, upcoming and ruthless. The Chinese arrive, wanting a slice of the abalone trade. With the war heating up, Krista and Tami soon have another woman client to protect – Titus Anders' daughter Lavinia. Then there are the government agents. All in all, a stew of revenge, riddles and violence. Revenge figures in this novel on an intense and bloody level. By the end I was thinking its emotions, motives and gestures were on a Shakespearean scale. Absolutely. Nicol's inspiration is Shakespeare's “Titus Andronicus”. But this is not a casual rip-off. It is well crafted, well voiced, dark and thrilling. Nicol has said of the potential of a crime novel: “...the fun you can have with characters having outrageous conversations after or during the most appalling situations. Appeals to my sense of humour...” and POWER PLAY's violence is truly bloody but Nicol's writing does not gloat. Instead he brings us a powerful, fast-paced, well-observed thriller set amongst the gangsters, businessmen and politicos of Cape Town. With its own blend of subtleties and vividly drawn characters POWER PLAY is an absolute recommend.

Lynn Harvey, August 2015

Tuesday, July 07, 2009

More African crime fiction - Mike Nicol

I mentioned a few months ago a few titles set in Africa and then added Margie Orford's series. The Bookseller announced today that Old Street have bought three Mike Nicols books:
Old Street Publishing has bought a trio of crime books by South African author Mike Nicol.

Managing director Ben Yarde-Buller acquired world English rights from literary agent Tina Betts at Andrew Mann.

The first book in the deal will be called Payback and is due to be published in spring 2010. The title will be set in Cape Town at the turn of the 21st Century with two main characters who become embroiled in drugs and violence.

The two following books are yet untitled and will be stand alone titles, but will be linked by the same characters.
I don't know whether the 'turn of the 21st Century' bit is a misprint as that's quite a futuristic setting.