Showing posts with label Christopher Radmann. Show all posts
Showing posts with label Christopher Radmann. Show all posts

Sunday, June 29, 2014

New Reviews: Ceder, Dunn, Frank, Johnston, Kasasian, Kelly, Kernick, Mogford, Radmann

Here are nine reviews which have been added to the Euro Crime website today, two have appeared on the blog over the last three weeks and seven are completely new.

The competition closes tonight at 11.59pm: win an iBook of Invisible by Christine Poulson (no geographical restrictions).


NB. You can keep up to date with Euro Crime by following the blog and/or liking the Euro Crime Facebook page.

New Reviews


Lynn Harvey reviews Camilla Ceder's Babylon tr. Marlaine Delargy, the sequel to Frozen Moment, set in Gothenburg;

Amanda Gillies reviews Slingshot by Matthew Dunn, the third in his "Spycatcher" series;

Geoff Jones reviews Matthew Frank's debut novel, If I Should Die which introduces ex-Army turned trainee police officer Joe Stark;

Terry Halligan reviews Paul Johnston's The White Sea, the seventh in the Greece-based Alex Mavros series;

I review The Curse of the House of Foskett by M R C Kasasian, the sequel to the excellent The Mangle Street Murders;


Michelle Peckham reviews Erin Kelly's The Ties That Bind;

Terry also reviews Simon Kernick's Stay Alive which is now out in paperback;

Rich Westwood reviews Thomas Mogford's Hollow Mountain, the latest in the Spike Sanguinetti series based on and around Gibraltar


and Lynn also reviews The Crack by Christopher Radmann set in 1970s South Africa.





Previous reviews can be found in the review archive.

Forthcoming titles can be found by author or date or by category, here along with releases by year.

Tuesday, June 17, 2014

Review: The Crack by Christopher Radmann

The Crack by Christopher Radmann, May 2014, 352 pages, Oneworld Publications, ISBN: 1780745281

Reviewed by Lynn Harvey.
(Read more of Lynn's reviews for Euro Crime here.)

Stick 'em up, said Pieter with the curt, hostile enthusiasm of a young boy. Stick 'em up, Mommy. I said stick 'em up.
It was a filthy imperative in such a small, cherubic mouth.


East Rand, South Africa, 1976
It is a hot New Year's Day when Janet first sees the crack in the swimming pool. She is sitting in the shade of the willow whilst her three children play in the pool's cool water – too soon after lunch and eight year old Pieter vomits at the poolside. Going over to him, she spots the crack running along the bottom of the pool. No one has said anything, neither the children, nor Solomon the garden boy. As she bends forward trying to see through the water's dazzle she realises that she is being watched. It will be their neighbour “Desperate” Doug, peering through the branches pretending to prune the border shrubs. Janet concentrates looking at the crack in the pool, leans out further – falls in. Silly Mommy. Upstairs her policeman husband, Hektor-Jan, is asleep. He will be starting his new plain-clothes job this evening, the night-shift. So he sleeps, gun under the pillow, knife hidden. The children wake him up with rough and tumble, hide and seek and bickering. It will soon be Pieter's birthday, he wants a dog, a puppy to replace old Jock who was found dead – just before Christmas. In the late afternoon Janet cooks “breakfast” for Hektor-Jan. The kids want “breakfast” too. As Janet turns from the busy table she finds Pieter standing with his father's gun in his hand. Her life stands still. And everyone else laughs, the daily ritual of frightening Mommy. She patrols the garden, finds herself standing by the pool staring at the crack. Meanwhile Hektor-Jan gets into the car, takes a pull from the hidden bottle and sets off for the new job. His hands on the wheel are trembling...

In THE CRACK Christopher Radmann returns to his native South Africa. This time to apartheid era, East Rand and the suburban, white-owned villas of Benoni. In the year of the Soweto uprising and the Sharpeville Massacre, Janet, an Anglo-South African housewife, is living with her husband and three children in the house where she grew up. Her cold, egotistical mother has succumbed to “Old-Timers Disease” and is in a care home. Her father has moved out of the family home in order to leave it to Janet and her family. The household runs smoothly thanks to Alice, the black maid, and the garden is maintained by Solomon the garden boy. The New Year heralds promise for them all. Janet is pregnant with their fourth child and Hektor-Jan, an Afrikaner raised on a remote smallholding with his tough brothers, guns and dogs, is starting a new job as an “interrogator” with the Benoni-Boksburg Riot Squad. A new year, a new start, a new life. Until Janet finds the crack in the pool, a crack which mysteriously widens, filling her with dread. And Hektor-Jan's new job calls forth from him a dreadful skill whilst their manipulative neighbour begins to play Iago to his Othello.

With his second novel Christopher Radmann continues to explore themes of damage, consequences and our own propensity for violence. I don't know if Radmann views himself as writing crime fiction, probably not, although his début novel (HELD UP) revolved around a car-jacking and its far-reaching repercussions. Yet within his work there are no detectives pursuing criminals, nor police procedures to be undergone. Nevertheless THE CRACK reads as a psychological thriller in which Radmann displays a singular talent for creating disquieting portraits of personal disintegration. Janet's punning thought connections, smeared metaphors and her growing obsession with the widening crack build a portrait of a fragile, anxious personality. But hers is not the only dissolution. Her husband finds a terrible gift within his new job and Radmann creates and plays superbly with dread as the story nears its horrific and bloody conclusion. My one quibble with Radmann's writing is with the dominance of a kind of “wrought” emotional symbolism which for me makes the final moments of THE CRACK ambiguous. But perhaps that is a question of preferences. The depiction of Janet's crumbling psyche is a feat of skilful empathic writing in this very dark book which offers no solutions but does give us the certainty that Radmann is capable of writing a truly psychological thriller.

Lynn Harvey, June 2014

Sunday, July 29, 2012

New Reviews: Black, Cross, Fossum, Harris, Holt, James, Kent, Radmann, Russell

The reviews are back after a break of a couple of weeks. (I've written up last weekend's Harrogate Crime Writing Festival.)

Settings this week include Brighton, London, Italy, Norway, Scotland, South Africa and the US.

Here are the new 9 reviews:
Terry Halligan reviews the third of Sean Black's US-set Ryan Lock series, Gridlock, which is now in paperback;

Amanda Gillies reviews Neil Cross's Luther prequel Luther: The Calling now out in paperback (complete with a quote from Sarah Hilary's review);

I review the first Inspector Sejer book from Karin Fossum In the Darkness, tr. James Anderson which was originally published in 1995 (in Norwegian);

Terry also reviews Oliver Harris's debut The Hollow Man which introduces amoral policeman Nick Belsey;

Anne Holt's first Hanne Wilhelmsen investigation is even older than In the Darkness but Maxine Clarke writes that The Blind Goddess, tr. Tom Geddes "remains fresh and engaging";

Mark Bailey reviews Peter James's new Roy Grace book, Not Dead Yet which he enjoyed, but it might be time to wrap up the series-long backstory mystery;

Susan White reviews Christobel Kent's The Dead Season the third in this Florence-based PI series;

Lynn Harvey reviews Christopher Radmann's striking debut set in South Africa: Held Up

and Geoff Jones reviews Craig Russell's Dead Men and Broken Hearts the fourth in the Lennox series set in 1950s Glasgow.
Previous reviews can be found in the review archive.

Forthcoming titles can be found by author or date or by category, here along with releases by year.