Showing posts with label Charles Spencer. Show all posts
Showing posts with label Charles Spencer. Show all posts

Sunday, May 31, 2015

New Reviews: Billingham, Franklin & Norman, Jungstedt, O'Byrne, Spencer, Wilkinson

Here are six reviews which have been added to the Euro Crime website today, two have appeared on the blog since last time, and four are completely new.

You can keep up to date with Euro Crime by following the blog and/or liking the Euro Crime Facebook page.

New Reviews


Craig Sisterson reviews Mark Billingham's Rush of Blood, a stand-alone from a couple of years ago;

Terry Halligan reviews Winter Siege, begun by Ariana Franklin and completed by her daughter Samantha Norman, which is now out in paperback;

Michelle Peckham reviews Mari Jungstedt's The Dangerous Game tr. Tiina Nunnally;


Amanda Gillies reviews The Crime Writer's Guide to Police Practice and Procedure, Second Edition by Michael O'Byrne;


Rich Westwood reviews I Nearly Died by Charles Spencer


and Susan White reviews Kerry Wilkinson's Scarred for Life, the latest in the Jessica Daniel series.



Forthcoming titles can be found by author or date or by category, along with releases by year.

Thursday, May 28, 2015

Review: I Nearly Died by Charles Spencer

I Nearly Died by Charles Spencer, January 2015, 252 pages, Bello

Reviewed by Rich Westwood.
(Read more of Rich's reviews for Euro Crime here.)

I NEARLY DIED is the first of three crime novels by the recently retired Daily Telegraph critic Charles Spencer, now brought back into print by Bello and available in ebook or hard copy.

Will Benson (who I think must be a fictional version of Spencer) has graduated from local journalism to a staff post at Theatre World. He is an ordinary sort of guy, unambitious but dissatisfied with his life, drinks too much, running to fat, an unlikely fan of the works of Noel Streatfeild.

He opens the book on an apparent drive to make enemies. Attending a terrible production of Romeo and Juliet, he pans it in a review but finishes with a final-paragraph tribute to the genuinely brilliant Juliet. His review is cut for space and leaves out the praise.
Next he interviews Joe Johnson, a thinly veiled version of a particular British nightclub comic:

Dressed in baggy khaki shorts, a scarlet Hawaiian shirt crawling with green parrots, and with a plastic policeman's helmet perched on his head […] the whole house was indeed helpless with laughter. But it was a laughter of hate and ugliness and fear.

Joe turns up to his interview steaming drunk and makes some career-ruining admissions to Will, all of which go onto tape. Joe’s agent, the tough-as-nails Harry Meadows threatens Will if his revelations get into the papers.

So when Will starts getting death threats, there is no shortage of suspects.

This is an enjoyable book, deftly satirical (‘Prejudice and schmaltz, the twin pillars of light entertainment’), unafraid to mock real-life stars (Andrew Lloyd Webber is described as having an ‘I’ve just won the prep school scripture prize’ expression). The author's familiarity with the world he is describing lends the story realism and a great sense of atmosphere. The mystery element is none too strong, but this is more than compensated for by the sense of humour, a bit of romance between Will and his colleague Kim, and a likeable narrative style. I enjoyed hanging out with Will and look forward to sharing more of his adventures.

Rich Westwood, May 2015